The music for the X-Men franchise has been anything but consistent. For each new X-Men movie a new composer has come along, and created a fresh new score which does at times echo the music for the previous score, but only in a faint passing. Generally the new composer disregards most of what the previous composer has done and creates something mostly new, and adding to the lack of continuity in the music. Michael Kamen, was brought on board to score the first X-Men film, and the only reason for this being, John Ottman was busy with his directorial debut with Urban Legend : Final Cut. He's normally Bryan Singer's composer of choice, but Singer went with Kamen instead, and possibly due to the fact that Kamen already had some history with the X-Men franchise since he composed the main X-Men theme for the animated Fox Series during the early 90s. John Ottman, would finally come on board to score the second film, and he created a more distinctive theme for the franchise which did stray off from what Kamen had done (a wonderful opening suite was created although it does sound as if Ottman is pining to be John Williams). John Powell, followed next for the third film in the franchise, and he once again like his predecessor abandoned most of what had been done before and created a score with his own themes, albeit his score does echo what had been previously done, but only as I stated before only in a faint passing. Now, Harry Gregson-Williams (a fellow Media Ventures composer ...

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